January 10, 2013

Following

Walking in the shadow of the cross, following Jesus Christ.

"If anyone would come after me..."

Illustration for a teaching series called "Following," about how Jesus Christ calls his disciples to carry the cross and follow him. 


I really enjoyed studying how light and shadow behave when the sun is at a low angle. Generally I'm learning more and more the importance of really studying and gaining enough reference material at the beginning to enable a successful painting. Initially I was intimidated by having to fill so much space with nondescript abstract shapes like dirt and grass, but with enough reference study, eventually my mind was able to understand more how those objects work, so I could be thoughtful in inventing them for this image.

Painting all the dirt and grass was also a great opportunity to get practice with Photoshop's "scatter" brush tools. Special thanks to Chris Oatley for his great scatter brush tutorial.

This image is available for purchase as a high quality art print at Society6.com.

This cross image as well as several other sermon illustration images are available for licensing by churches, ministries, and Christian publishers.  Contact me if you'd like more info.

January 4, 2013

Healing the Wounds of Trauma


I have been honored to work with a major new client, the American Bible Society. Despite the "American" name, they also do great work overseas through projects like She's My Sister and the Trauma Healing Institute. I recently completed cover and interior illustrations for their book "Healing the Wounds of Trauma", a training manual for counselors aiming to help victims of trauma.

Illustrating the cover for this book raised a number of almost paradoxical questions. This book prepares counselors to care for people who have suffered horrific events and will be published in multiple languages for audiences on almost every continent. We faced two key concerns:

  1. How can we be true to the level of suffering this book addresses, while still having the cover give an attractive sense of hope rather than reinforcing depression?
  2. How can the image on the front appeal and make sense to such a diverse audience around the world, who have differing ethnicities, fashions, and–most importantly–different ways of expressing grief?

We explored several concepts to address each of these, playing with things like silhouettes to conceal race and gender specifics, and different color schemes to emphasize hope and peacefulness. Eventually, we confirmed that some level of specificity would be helpful, but kept it to a minimum.

The illustration style allows the skin color to be left unfilled, allowing for multiple races to identify with the figures. And the posing of the two figures combines elements of both extremes of grief–the more visible and forceful expressions of the southern hemisphere and the more somber and contained expressions of the northern hemisphere. We even created alternate versions of the cover with or without the woman’s head covering to address local norms.

The client was pleased with the eventual solution and the book is now being distributed around the world. “Healing the Wounds of Trauma” is published by the non-profit Trauma Healing Institute, a ministry of the American Bible Society.

Check out the full project on my Behance portfolio